The Naturalistic Inner-city Novel in America

Giles demonstrates that while Crane, Norris, and London saw the newly emerging ghetto as a source of sensational subject matter, they distanced implied narrators from settings and characters through their use of narrative perspective. He contends that Crane bridges this separation in his 1893 version of Maggie: A Girl of the Streets with the encounter between the grotesque "fat man" and the novel's heroine. According to Giles, this fat man functions as a startling incarnation of the middle-class writer's fascination with, and fear of, a depraved inner city.