Richard Mosse

For the last three years, Richard Mosse has photographed in eastern Democratic Republic of Congo, a region in which a long-standing power vacuum has resulted in a horrifying cycle of violence, a Hobbesian "state of war," so brutal and complex that it defies communication, remaining stubbornly outside global consciousness. 'The Enclave' is the culmination of Mosse's recent efforts to radically rethink traditional representations of conflict photography, drawing on artistic and documentary strategies in equal measure. The Enclave publication presents images shot by Mosse with a large-format camera, as well as selections from the 16 mm film installation presented at the Irish Pavilion during the 55th Venice Biennale. With both still- and 16 mm-cameras, Mosse uses a discontinued military surveillance film, which registers an invisible spectrum of infrared light. The resulting surreal palette describes these isolated, jungle war zones and the soldiers that inhabit them in disorienting psychedelic hues of scarlet, lavender, cobalt, and puce.